dev diary #4

Prompt: – Write about the week’s lecture and readings as they relate to your project 
– Write about this week’s industry guest speakers (if any)
-Write a description of your progress (both positive and negative) on your current project
– Must include at least one piece of media:
GIF, link to video, screenshot, sketch, etc.

A few days ago we got an email about a one-hour UCSC seminar on Imposter Syndrome. I was planning to attend before I tried to find the location and realized it was happening on the main campus. Bummer. But that is an issue I feel I’m struggling with at this point in the program, most of it directly stemming from the difficulty I’m having with C++ and my overall fear of programming. I know it doesn’t look great that I’ve waited three dev diaries to start admitting that I’m halfway expecting to get kicked from the program, but there’s this massive C-shaped hole in my skillset that’s negatively affecting my ability to contribute meaningfully to the duo project or to complete my assignments on time for C++.

Pretty much the only thing I’ve done for the duo project is asset creation. I’ve created over a dozen animations and four dozen sprites to populate Tyler’s vision, and as Emily pointed out when she learned this, “the program isn’t testing for that.” You want programmers and Tyler has programmed the entire game on his own. It’s also his concept; as mentioned in my last diary, I decided to withdraw my suggestions on fields and music in favor of going with Tyler’s office space and basketball mechanics because both concepts were equally usable and I figured Tyler would do a better job programming something he was invested in. I don’t have access to Tyler’s dev diary so I have no clue whether he’s pleased with my level of contribution to the project, but he certainly seems pumped about things when we talk. I’m quite satisfied with him as a partner as he’s open to suggestions, flexible with reacting to setbacks, eager to overcome obstacles and an overall hard worker. While we’ve both contributed plenty of suggestions and design concepts to the game, and I’m very satisfied with the final project, I can’t help but feel I’m regressing into my lifelong habits of avoiding programming by filling the void with content creation. I should have taken advantage of the solo and duo projects to learn Unity, even if it would have resulted in substandard products, because the proficiency disparity between me and the other students will only grow as the program goes on.

It’s just so easy to let him do all the programming and insert myself into more of an asset-creation position because that’s playing to my strengths. I can crank out sprites (I don’t think they’re particularly good but Tyler insisted he wanted to use my artwork and not default assets so apparently they’re of adequate quality in everyone else’s eyes) and I don’t know Unity as well as he does, so it’s logical and easy to let him program. But I didn’t come to this Master’s program to learn sprite creation, and we’re going to have an entire University of San Jose to do that for us for the next project. I need to find a way to serve a useful role on a team, especially considering nobody’s games from any point in this quarter have required a writer.

This all boils back to my fear of programming, something that’s plagued the majority of my life. When I was 11, I couldn’t wrap my head around a month-long tutorial of DarkBasic, so I used Multimedia Fusion (nowadays called Clickteam Fusion) to make games. As an undergraduate, I briefly considered switching my major to Computer Science but a terrible experience in a C class squashed those plans and I continued using Clickteam Fusion for my portfolio projects. After graduating, I took an online Unity class but eventually gave up after six months had passed and I couldn’t program anything more complicated than a text-based adventure game. Even in this class, I chose to use Clickteam Fusion for my solo project when I probably should have created an inferior project in Unity. I feel like the metaphorical elephant who learned as a calf that he couldn’t uproot the stake tying him to the ground, so he remains rooted even as a 15000-pound adult who could easily escape that stake if he tried to.

This is the part where I’m supposed to tell you that I’ve tried my absolute hardest to learn C++. I know that’s Andrew’s opinion on himself, but I feel like I should (and could) have worked harder, instead of constantly distracting myself by putting 110% into my other homework assignments. I love every other class in this Masters’, but I bet if I’d spent less time creating sprites, writing 2-page dev diaries and pulling all-nighters on The Wolf and the Waves I could have probably learned C++ at the same time. Instead my vision just swims when I stare blankly at Visual Studio and I do something superfluous like programming Tic-Tac-Toe instead of Connect Four. I can see the massive potential of games programmed in C# and I’ve wanted that knowledge for years, and this degree is probably the greatest chance I’m ever going to get to learn it. If I fail now, I’ll forever regret losing this opportunity.

Our lectures and reading discussed how the game designer uses the formal elements of a game. As a sandbox-style game, “Explore” would probably fit best as our player’s intended motivation. We found that most players clicked on everything once they were bored of shooting paper balls, so we didn’t to worry as much about telegraphing what items had scripted actions tied to them. (We added a few for the Inbox anyway, since the player misses a huge chunk of the game if they don’t click it.) The thing about ‘Calmness’ is, we had to avoid most of the things that video games use to create challenge because challenge isn’t calming. Our player character has infinite resources, no objective, and no stress because otherwise the player might not feel calm. We didn’t even have a clear ending (everything fades away and you’re now relaxing in the Rockies with nothing to do) until the very last build; we intended to let the player sandbox forever but playtesters didn’t find it calming when the game never clearly ended!

Believe it or not, Andrew Corcoran’s lecture actually helped us in a major way. He discussed dynamically adjusting your game so that it catered to people with different preferences. Originally, we tied the “slacking off” mini-game as calming and the “working” event as neutral. After Emily playtested our game and had the opposite reaction to both mini-games, we realized that some people found work more calming than laziness. So we tied the calmness mechanic to the player’s progress in either mini-game. Now people can finish the game through whichever playstyle they prefer, just like Corcoran’s UI and menus cater themselves to the player.

end sprites

Dev Diary #3

Prompt: – Write about the week’s lecture and readings as they relate to your project 
– Write about this week’s industry guest speakers (if any)
-Write a description of your progress (both positive and negative) on your current project
– Must include at least one piece of media:
GIF, link to video, screenshot, sketch, etc.

Not gonna lie, I’m nervous. I’ve had bad luck with duo projects. I’m far more comfortable either doing everything myself, thus giving myself control of every part of the game creation, or working in a giant team of 40+ developers where I can serve as a tiny cog in a giant machine. Luckily, Tyler doesn’t look like one to fall into the normal problem where one teammate never does any work. He’s slightly coding-focused, (more than me at least) meaning he can bear the brunt of that element. He’s also proven open to hearing ideas while also suggesting his own, a great balance that too many people lack. I can suggest things and know that he won’t smother his own ideas and blindly accept mine, or alternately throw mine out in favor of his own without due consideration.

Our cooperative skills were put to the test almost immediately, when we initially couldn’t decide what angle to take the game. After we missed our emotion of choice and had to settle for Calmness, we both developed different ideas for how to tackle our new direction. He wanted to adapt our ‘Nostalgia’ ideas (a basketball-style minigame in an office setting with crumpled pieces of paper) into a form that emphasized the new emotion, whereas I wanted to scrap the whole angle in favor of a new setting that was tailored for calmness from the word go (a peaceful field where clicking objects adds different instruments to the background music). Ultimately we came to an agreement and decided to stick with doing his because my suggestion was lacking in several elements of what makes a game (more on this in the final paragraph of this diary). Tyler’s idea still works, even if it chose a less obvious setting; we’ll just need to succeed at establishing calmness through gameplay instead of aesthetics. Plus office supplies are quicker to draw than naturey stuff, and I’m singly responsible for all sprite creation so I need to work fulltime on that because nothing else can progress until we have assets to work with.

Update: I kicked ass on sprites tonight! We got all the core sprites now, I’ll work on including more of course, but for now we’re easily on the road for a working prototype come the Friday playtesting.

sprites.png

The reading and lectures this week were mostly concerned with the elements of gaming as a medium, and they became very important in how Patrick and I chose which idea to go with. Particularly Objective and Conflict; my ‘nature-themed music generator’ idea lacked both of these core gaming elements, and for that reason wasn’t really selling itself as a completed concept. Tyler’s idea, with a stress meter and an element of time management, was more clearly a game by definition, and this factored heavily into why we ultimately chose his idea to move forward on developing.

 

New game released!

I’ve finished my first project for my new gaming masters! The Wolf and the Waves was our solo project, where we had to choose 2 verbs and then create a game where the player can guess what those verbs were.

wolf and waves.png

You are a penitent werewolf, desperate to be free from the effects of your curse. An old book promised that the cure to your pain rests on a tiny island in the remote Atlantic Ocean. Will you survive long enough to find the relief you seek?

All assets and programming completed in two weeks as part of the UCSC Games & Playable Media master’s program! (except the zombie sprite, I stole that from an older project). Special thanks to @WydOcean for the soundtrack, and all of my playtesters for your feedback!

Dev diary #2

Prompt: – Write about the week’s lecture and readings as they relate to your project
– Write about this week’s industry guest speakers (if any)
-Write a description of your progress (both positive and negative) on your current project
– Must include at least one piece of media:
GIF, link to video, screenshot, sketch, etc.
+ Why you want to make games

This week’s lectures -and reading- talked about how much pre-planning you need to do before you start on the project, and how much playtesting after you’ve started, and they weren’t kidding! I’d have saved a lot of time if I’d planned out a few more things before plowing into the coding and development elements of my “Two Verbs” project. Every single person who playtested my game had similar issues with it; they had trouble figuring out the controls and the mechanics of the objective. I redesigned my UI multiple times from the ground-up to try and fix these problems, and while many sources of the confusion were alleviated, it never fully went away. Finally, on the eve of the final day, MJ told me that I needed to work on my First Time User Experience so that new players can painlessly learn the mechanics and play the game. We’d talked about how the best games slowly showcase the mechanics one at a time, and the only way I could think to get that at such short notice is a full-fledged tutorial, so I added it with a day to go. Works pretty darn well if you want my biased opinion, but unfortunately I wasn’t able to let anyone playtest it due to how late it was added. But the game is done, and playable here on my itch.io account!

 

Thought I could showcase the “shapeshift” verb in a few GIFs. Here’s the primary form of transformation, switching between Wolf and Human form. There’s a third form, recon mode, which you get when you eat a blue mushroom, and finally the player becomes a bird when they win the game just because it’s more exciting than a generic “You win” screen.

 

Also, in order to get a picture in this diary, I’ll talk a bit about my favorite moment from playtesting. At the time I was frustrated that playtesters blitzed through my Main Menu without noticing any of the explanatory content therein; they’d immediately click the Play button and proceed to just stumble around confused in the main game. I realized they were doing this because ‘Play’ was in the top-left corner of the menu, the first thing you read. I moved it down to the bottom-right and put the ‘Backstory’ button in the top-left because I wanted people to click on it first. The remaining two buttons, Credits and Controls, would occupy the remaining two spots, but which of those two spots (upper-right and bottom-left) were more ‘important’ in the eyes of my players? Controls was far more important than credits and I wanted to give it as much attraction as possible. So, in order to figure this out, I wrote this short paper-and-pencil exercize and walked it around to various people in the labs:

name game.png

I gave them no direction beyond asking them to circle each of the names. As I suspected, almost everybody circled Jeff first, and the remainder circled Will, likely because they were pondering my intentions and wanting to subvert expectations. But I was really testing to see which name was most frequently circled second. And Sam, in the top-right, was overwhelmingly the most popular second choice. So that’s where I put Controls in my main menu, leaving Credits in the less popular bottom-left.

 

John Salwitz was our guest speaker for the week, and he talked about how the industry has changed over the years. Honestly, that’s why I’m going into this industry. I’ve seen it happen repeatedly over the years, as trends come and go, and it’s amazing. Everyone’s trying to keep up with the times, the community grows tired of certain gimmicks and they die, and the industry is constantly evolving. Remember when every new shooter was a Modern Warfare-esque gray-and-brown drabfest? Or how about the “early access first-person wilderness survival game” craze? These cycles come and go, right now it looks like we’re in a feedback loop of “it’s either got to be a hero shooter or a Hunger Games ripoff”, and its great to know that things are gonna eventually shift another way. I also like the increased specialization of teams in the modern era; as Salwitz’ lecture clearly demonstrated, teams are getting larger, and I can focus on my piece of the puzzle (likely writing) and play a part in a larger team.

 

I’ve written novels, screenplays, articles, and stage scripts, but I’ve found that I most love the versatility of narrative that game designers need to incorporate into their work. Games are unique in their ability to craft a story that can change every single time the audience experiences it. So many other storytelling mediums are focused on the work itself, and while games are no exception, they have to always keep the player’s moment-to-moment experience in mind. This interactivity with the audience, even if I’m not present during their playthrough, is why I find myself writing games in my spare time over other genres of fiction.

Dev diary #1

Hey all. So, this master’s program is intense. I’m loving it, but it’s sapped a lot of my free time so I haven’t been updating this blog even though I’m learning tons of stuff and working on projects right and left.

So, since I’m already writing weekly dev diaries for one of the classes, I figured I could publish them here! With names changed to protect the innocent, of course.

Dev Diary prompt 1: Your assignment (should be no longer than one page):
– What do you hope to get out of the next 12 months in this program?
– What are you most excited to learn about?
– Is there anything you’re worried about?
– In your spare time, what kinds of games do you prefer to play?

GAME 270: PROTOTYPING is of the classes I’m most excited about when scrolling through the quarter’s itinerary. The C++ sounds terrifying and the art class sounds promising but I suspect it’s less about making art and more about intelligently choosing pre-existing assets, when one of my favorite parts of game development is creating all my own art. I have always operated under the philosophy of creating many tiny games to learn new mechanics, and so I look forward to this class pressing me to the limits of what I can accomplish in a short time.

I can even get behind the philosophy of writing these diaries. When I took a Unity course over the summer preparing for this course, I wrote a daily diary keeping track of what I’d learned that day. I was less focused on what I’d hoped to learn, since it was just Unity, but this time there are three major tiers of knowledge I hope to explore:

  1. Programming. I want to learn Unity well enough to make my own games on that platform. Other languages like C++ and Unreal I hope to master well enough to pass the courses.
  2. Game Design. As mentioned, I’ve made several games on my own, so I’m not a completely newcomer to the design aspect of games, but I have never been formally trained so this opportunity is an invaluable asset.
  3. Networking. The other kids in this program are driven, ambitious, and knowledgeable in this field. I’ve never met so many people my age that I can bond with like this class. I need to befriend as many as possible and nurture connections to help me break into the industry proper.

My biggest weakness is my lack of programming experience. I passed a C class in junior year of bachelor’s, and I’ve taken multiple online courses attempting to learn Unity, but I’ve never felt like I was doing anything but stumbling through those classes and aping the instructor. I want to be able to make Unity games with the same proficiency I can create games in Clickteam Fusion 2.5.

In my spare time I play multiplayer shooters like Overwatch, Left 4 Dead 2, and Team Fortress 2. I specialize in healers and support classes.